It’s arguably a very female thing, to refer to vulnerability as self-deprecation. I was calling it self-deprecating during that press cycle, but it really was vulnerability. Midwest Farmer's Daughter was the first time I was ever vulnerable. Margo Price: That's a skill I have acquired as I have aged, and I really do see it as a strength. KCRW: When you hear the word vulnerability, what does that bring up for you? The following interview has been edited and condensed for clarity. More: The Church brings influential space-rock live to KCRW HQ Price and her three-piece band light up the Annenberg Performance Studio with an intimate set of Strays highlights, including “Radio,” “Lydia,” and “Hell In The Heartland.” The artist also opens up about writing her way through a pregnancy, drawing inspiration from rock venue-adjacent methadone clinics, and that time she and Ivey fabricated a booking agency.
Humor, insight, and killer one-liners abound in both her songs and her conversation with KCRW Program Director of Music Anne Litt. Not one to slow down, in January she released her fourth album Strays, a rock ‘n’ roll mission statement produced by Jonathan Wilson and featuring contributions from Sharon Van Etten, Lucius, and Mike Campbell.Īhead of hitting the road for her “Til the Wheels Fall Off” North American tour, Price stopped by KCRW for a live performance and interview. In October 2022, Price published her story of life on the margins in her memoir “ Maybe We’ll Make It,” which garnered praise from the likes of Willie Nelson, Lucinda William, Kirkus, and Rolling Stone.
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